Showing posts with label noel jeffrey. Show all posts
Showing posts with label noel jeffrey. Show all posts

Saturday, November 29, 2008

Kitchen Dilemma

Kitchen featured in the 1950s in House Beautiful. WOW.

Yesterday afternoon as I was looking out the window in my parents' kitchen to watch the neighbors walk by (it's what we do in the country to pass the time apparently), I was blinded by the sunlight streaming in and had to look away. It made me start to think about the idea of curtains in the kitchen. My mother says she doesn't want them because they will get cooking debris (oil etc) on them and get dirty. She also really likes the light and openness in the kitchen and doesn't want to feel closed in by curtains. I wanted to see what other designers have done in kitchens, as the 3M filters on the windows my parents have just isn't cutting it. See below.


T. Keller Donovan uses a pretty blue toile valance in this otherwise white Nantucket kitchen.

Wooden roman shades would def solve the problem of cooking oils/dirt and since these are pretty thin, they still let the light in. By Noel Jeffrey.


In this uber colorful french style kitchen the designer, Michele Allman uses a red toile fabric and a traditional pinched pleat drapery style in the windows.

One of my now favorite designers John Peixinho who works mainly in Newport, RI also used a roman shade style in this kitchen, but I think it's a thin parchment colored fabric. Low maintenance, light blocking and good looking.

James Michael Howard designed this sleek clean kitchen and used an ivory linen shade in the large window. I like how he continued the strong dark horizontal line on the mouldings into the curtain.

Though the stove is right in between the two windows with long drapery, the designer used floor length drapery and a valance. This may seem like a lot, but it starts to become an architectural element as it echos the door off to the right. From Domino.

Another simple roman shade style but with a little kick with a small vertical stripe running down it. By Caroline DeCesare for the movie Something's Gotta Give. (Good movie but uncomfortable to see with your grandmother.)

One of my many design heroes, Victoria Hagan solves the entire problem of the light by creating these beautiful clerestory windows which provide great but indirect light.

If you're feeling DIY-ish, Martha provides this how-to on making your own curtains in my old fave magazine Blueprint. I like this one because it lets in light but it has very pretty and subtle polka dot texture. So cute!



Well, I helped my parents with their ivory shades from Kravet in our den, so maybe I can help them solve the dilemma of being blinded by too much light and feeling too closed in inside a big kitchen.


Alicia B.

Thursday, October 9, 2008

First Impressions

First impressions are very important; with people as well as homes. Besides the actual facade of the house, the front hall entrance can be the most important room. It sets the tone for the rest of the house; lets you know what kind of people live in that home. A front hall can be understated and modest or it can be grand, and make a big statement.

Noel Jeffrey. This one has a lot of visual interest in the eclectic collection of frames.


Miles Redd. This entirely mirrored front hall makes a dramatic statement and expands the space with reflections.


Suzanne Kasler. The tiled floor leads your eye to the beautiful curving staircase.


Suzanne Kasler. Uses the black and white tiled floor again for a classic yet dramatic effect.


Kips Bay In the Kips Bay showhouse, Beale-Lana uses a black/white/silver contrasting combination. I like how the staircase is so open at the bottom.


From Living Etc, this front hall makes me want to live in a little Victorian home with stained glass windows!


Living Etc. A bench is often a good solution in a smaller space. This driftwood bench is amazing.


Martha Stewart. Understated perfection with flowers!

Bilhuber. I like the neutrals and soft colors in this entry hall.


Celerie Kemble.


Victoria Hagan. Subtle architectural elements.

Jason Bell. I love this entrance hall. It's so perfectly country and I love the white painted beams that lead you into the next room. Plus it's in CT, how could you go wrong.

I wonder what kind of first impression I make. Too eager? Too Shy? Fake? Something to think about I guess.


Alicia B.