Showing posts with label art and craft. Show all posts
Showing posts with label art and craft. Show all posts

Wednesday, April 6, 2011

Low-tech tricks for drawing your edible garden ideas into reality

The only reason people let me make gardens on their land is that I show them a picture of how it will look. They get captivated, they find the resources, and it all becomes real. 


I drew this self-watering useful swamp for a Tokyo Rail platform garden.  I imagined irises, purple asparagus, lotus, thyme, taro and some lovely bullrushes, for thatch.



Someone then got inspired to actually have a go at making it. Its not at a train station, and not the plants I chose, but its a really good start.

Learning to draw better is not hard.
Its just like a language nobody has taught you.  Its more fun than meditating, and you have something to show for it afterwards.
You will freak out at how you have never looked at ANYTHING until you have tried drawing it. Even the face of your most loved person - you will see it for the first time.

If you can draw on paper a garden you imagined, you have done most of the work.  The garden already exists, in your mind and you desire. Maybe it starts existing in the desire of the viewer as well.
This newly-conceived garden of yours is just waiting for a day in the diary, a shopping trip, a planting party, and these events are jumping up and down to happen.
Its a bit like those first kisses that are so good, making children is semi-inevitable.

I used to run workshops on drawing up balcony gardens, and I will again. My students improved so quickly, we all got a surprise. There are all these tricks, someone just has to show them to you.

Easy way to draw a garden


1. Take a photo of a place you wish to make lovely.

Asaba Art Square garden, before.

2. Get it up on your computer screen. Or if its a hard-copy picture, tape it under a glass table, and put a lamp underneath.




3. Put paper over the top, turn out the lights, trace over the structural things - trees, walls. Use your brain so you don't hurt your computer screen, or make anything catch fire. If you can't work out how to do this safely, its not a good idea for you to become a designer.


In my fantasy, I opened up the drains as rivers of stepping stones.  I had wall-mounted tanks and sun-catching wall-garden. The heavy bridge, I ignored. Compass on the right shows where sun will shine.

4. Erase what you don't want.

5. Now, do a Google image search of plants you think would suit. Trace them, separately.




6. Practice drawing them freehand, by looking at the simplicity of your  tracings, and the subtlety of the original photo. Do this three times, and watch yourself improve as you 'get intimate' with how this plant is shaped. (added bonus: You will have a deeper love for this plant for the rest of your life. Seeing it will give you a pang of friendship)

7. Freehand draw or trace your plants in. If tracing, copy and shrink them first in a program that gives you control over size, like Word or i-web.


Asaba Permaculture Garden color version with dachshund digging area

8. Your pencil sketch is finished!


Tips to make your tracing and 'pasting' look good

Now make it look good, in pencil or in color.
Pencil is usually enough to get a garden started, if you finish it nicely.
To add color, I put my pencil drawing back on the light box, fresh blank paper on top. I trace its outlines in Copic fine liner pen, then color in with marker pens, blending colors as I go.

Marker pen is not erasable, so I work slowly, deciding easy colors (green) first, commit to important colors last, kind of holding my breath till the end.
Just like my life.




Add contrast
Light things on dark, dark things on light, or else they all blend into shapelessness.





Make it friendly:
Can you see elements that look like they might be family, or at least friends? The orb of the passion fruit echos the sphere of the pink snail. The possum winds up the spring of his curly tail to fit in with the the passionfruit tendril. Emphasize these similarities. This brings connection and love to your picture, and keeps you entertained.



 Cull
Use minimum image to achieve maximum communication. Don't draw ten leaves when three will do the job.




Get Appreciative
Adjust things so that negative space looks good too, so that there is no rejected, leftover, useless thing in your picture. Value the marginal. Its better to use up 'unemployed' space by exaggerating the size of plants and objects, so they can express themselves to the viewer.  You make background space smaller, like a halo. Other space can be made bigger - not unemployed, but a place for the eye to rest.
Again, get decisive.


Design for my business card. Not very business-like, is it? Me neither.

Check Perspective
You don't have to use perspective, you can draw things flat, like a medieval tapestry, or a kindergarten painting.
But be decisive, don't half-use perspective, it makes the viewer uneasy. In Perspecive, all horizontal lines, like the edges of these square tins eventually converge to a point in the distance. Find that point. Check that ALL the lines converge. Check that as distance increases, objects get smaller in the right proportions.


Vanilla, Rose, and  Blueberry Tea window box garden


I didn't trace this one, so had to work the perspective out myself. Its not too bad, but not good. 
The hand-drawn lines allow me to be forgiven - everything is wonky.
Except the idea. Nothing wrong with that.
Growing your own Vanilla, Rose and Blueberry tea window-box garden: its completely possible.

Somebody please have a go and bring this picture to life for me.  


Cecilia and Kohei working, July 2010
Permaculture workshop July, with concrete wall making

Asabas garden November 2010

Asaba's garden after declutter but before construction June 2010

.
With a vision, the energy to create just appears.





Tuesday, May 18, 2010

We are Family - diverse, unique, connected. Handmade pots for amazing balcony landscapes


I found these hand-made pots while editing the mob of unloved ragamuffin potplants downstairs, and hauled then up to my new treasure trove balcony garden here at my new home in Asaba Art Square.

Collections of unrelated plants in unrelated pots all have a predictable character. Like a random elevator full of customers, just tolerating each other. 'What are you guys doing together?" I want to ask.

When the plants, the pots are diverse yet related, the chemistry kicks in, and love happens.
The same pink in the stem of one plant is peeping through the glaze of its neighbors pot. The frill of one leaf is repeated in the undulating edges of another pot.
Balcony Garden Jazz.


I saw these beautiful pots by new friend Mika Noguchi at the Tokyo Design Festival, Big Site.
What flowers go here? Round blue cornflowers? Hosta-like leaves, repeating the striped fin shape? The starburst shapes of onion and garlic flowers?
I'd love to give it a try.


And look what I found at another stall, knit by Hitomicro. She can hang on the wall, or over my knees while I sit and sip something pastel-colored, watching the jasmine-scented spring breeze play with my garden. What an adorable family.

What would I plant in Mika's pots?
Precious amazing round flowers, such as:



Hepatica wildflowers

Fin-like Hosta leaves from Lets Go Gardening


Go big: Blue Allium from Brooke house

This could be such a gorgeous garden. Plan for it to attract butterflies, Persian cats and an Italian pastry cooks, and life will be beautiful